Gina's Mayan Design

Earlier this month, I met Gina in Manhattan at the corner of 31st Street and 7th Avenue and I asked her about these tattoos:


The main element is a the piece she had inked in January 2007, on a trip to Mexico.

She went on a cruise to Mexico with her mother. While exploring some Mayan ruins, she made a rubbing of the design above, which bears some relationship to Xul, a canine god in the Mayan pantheon. She took the rubbing to a local tattoo artist and had it inked while in Mexico.

I questioned her about the cleanliness of a tattoo shop south of the border and she maintained that the place was immaculate, much cleaner than some of the shops she has seen in the U.S.

Just above the Mayan piece is a smaller tattoo, featuring an outline of Texas, where she was born. When her mother saw this "Made in Texas" tattoo, she asked Gina, "What makes you so sure you were made here?" Clearly a woman with a sense of humor. But, Gina noted, the remark "made [her] throw up a little".

This small tattoo was done by Homer Saenz at 713 Tattoo Parlour in Houston. Work from 713 has appeared previously on Tattoosday here.

Finally, as a matter of habit, I always ask people how many tattoos they have. Gina gave me an unusual answer, "Nine, going on seven."

When I gave her a puzzled look, she explained that she has nine tattoos, but she is planning on having two removed. As an actress, she feels that two of the more visible pieces may prevent her from attaining roles.

Thanks to Gina for sharing her tattoos with us here on Tattoosday!

Tattoos from the Blogosphere: Matt's Canva Gypsy Head

We're revisiting an old friend, Mat, whose last piece posted here, will link you to two previous posts as well. Mat had dropped off my radar a while, but these photos remained in my inbox, awaiting to see the light of Tattoosday.

Here's the finished piece:

Mat explains, "I've attached a new leg piece. I got recently of a cavna gypsy head. Dustin Golden from Roanaoke, VA. was doing a guest spot [at 713 Tattoo] and had a last minute cancellation. I jumped on it."

What is a "canva gypsy head"? I'm still not sure, but Mat responded to my recent query for further clarification on the motivation behind the piece: "That Kafka mask was sort of a "gypsy" phase (which I am finding myself in now again). The real shiner of that piece was Dustin's red inks, which he mixes himself."

Indeed. The piece just jumps out at you like a bolt of light in a dark alley.

Thanks again to Mat for sharing and illuminating his ink for us here on Tattoosday!

Tattoos from the Blogosphere: Mat's Take on the Sugar Skull

Everyone remember Mat? His ink has appeared previously on Tattoosday here and here. Well, he has been a lean, mean tattoo-accumulating machine. Remember the infinity symbol on his wrist? It has a new neighbor:


Well Matt hat some might awesome work, and this piece just adds to the oeuvre of his canvas.

This is what is known as a Mexican sugar skull (a common recurring element at Tattoosday - in fact I just shot a new one on yesterday that will make its way here next week). Since Mat is currentl residing in Texas, let's let him explain this piece (with my scant editing, of course)...

It is a sugar skull, yes. Any work done on my forearms is significant to my son [Jack], and that's about it...[Jack's name is tattooed on the opposite wrist]

Since El Día de los Muertos [The Day of the Dead] is celebrated November 1 & 2, and Jack was born on November 1, I thought it would be fitting as I mulled over more and more the significance of the first day in the Day of the Dead celebration. The strange part is that the celebration on the first day is meant to honor the deceased infants and small children, whereas the second day is in honor of grown-ups/adults.

Also, we've noticed Jack at a super young age responsive to non-existent beings, as if he was communicating or interacting with something that wasn't there. It is said that during the Day of the Dead, it is easier for the departed to visit and communicate with the living.

After learning that, and remembering how focused he was as an infant on these things that I really wasn't able to make sense of, it all tied itself together.

Since it basically wraps my forearm, it's kind of hard to see how it is bookended by a rose on each side, ocher-shaded, and footnoted by a traditional red rose with okra folds.

This was also another piece by Travis Stanley at 713 Tattoo Parlour in Houston, and was tackled as we went along. I enjoy working like that- researching with the artist and maintaining the level of comfort to develop a meaningful piece that sometimes only makes itself apparent after a day or so of life on the body.

The bizarre color scheme and the bluish brain matter seen behind the top of the piece, behind the red cracks in the skull, are meant to convey the playfulness of a candy skull, but also to introduce a slight feeling of discomfort or uncertainty when a closer look is taken.

Thanks to Mat for sending this along, and giving us a behind-the-scenes perspective of the piece. We can always rely on Mat to get us to look beyond the tattoo and come to a better understanding of the thought process, as well as the creative instincts, that helped craft his body art.